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Euphonix Applauds Sound
Mixing Team of American Gangster
Hollywood's Latest Blockbuster
Mixed at Todd-AO West on a System 5
Palo Alto, Nov 5th 2007

80-Fader, 300 Channel, Dual-Operator System 5 Digital
Audio Mixing Console at Todd-AO Lantana Stage
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Euphonix, a world leader in large-format mixing consoles
and control surfaces, congratulates the award winning sound
re-recording team of Michael Minkler and Bob Beemer on the
release of the much anticipated crime-thriller American Gangster.
The sound for this epic film, based on the life of drug-kingpin-turned-informant,
Frank Lucas, played by Denzel Washington, was mixed by Minkler
and Beemer on the Euphonix System 5 dual-operator film console
at Todd-AO West’s Lantana Stage 1, in Santa Monica,
California. This Euphonix System 5 has 80 faders with over
300 channels and is fitted with two film-style monitoring
panels including pec-direct switches and joysticks.
The score,
under the direction of German-born film composer, Marc Streitenfeld,
who used an 80-piece orchestra recorded in sections as well as acoustic pre-records,
performed by Streitenfeld himself, was also mixed at Todd-AO West, on their Lantana
Stage 4, using a Euphonix System 5, by renowned British Score Recorder and Mixer
Peter Cobbin.
The film is already receiving Oscar® buzz. For six years
running, the Academy of Motion Picture Arts and Sciences
has nominated a film dubbing team that mixed on a Euphonix
System 5 digital audio console, for the Sound Mixing Oscar®.
Minkler, a three-time Academy Award® winner, and Beemer
a four time winner, most recently took home the coveted 2006
Sound Mixing award for their collaborative work on Dreamgirls,
another blockbuster feature film mixed on the Euphonix System
5 at Todd-AO West.
After winning the 2006 Academy Award® for
Best Achievement in Sound Mixing for Dreamgirls, Minkler
explained how well the Euphonix System 5 worked for him, “Thankfully,
Euphonix provides the flexibility we wanted to make the system
work for us — not
the other way around. We were able to focus on the art of
the film, the delicate blend of sound elements, and not the
technology.”
Streitenfeld has built a considerable resume
as well. First working for composer and long time Euphonix
customer Hans Zimmer as his assistant, then as a freelance
music editor and music supervisor on numerous blockbusters,
Streitenfeld was nominated for a Golden Reel Award for his
work on Ridley Scott's Kingdom of Heaven. |